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| T O P I C R E V I E W |
| Webber |
Well its like this. With all sorts of music genres out there we live in our happycore realms, or so it seems. The problem is telling the difference within the realm itself. For instance, I own quite a few records however I constantly am asking myself within a mix, is this suppose to have gone togather, am I mixing properly or am I just mixing genres ? With hardcore progressing, and spanning, it somtimes is difficult to tell the true difference between what trancecore/freeform, hardcore, and happy hardcore is. Not only do we have those areas to look at but the areas of breaky happycore, classic, oldskool, and moving happycore. Although more often then not I find a pleasure among the darker sounds in happyhardcore, I do love the constant booming of the beat. Its just sometimes my hearing seems to get cloudy and I cannot tell truely if the beats being put togather are ment for one another.
An odd post, true. Perhaps though you will now analyze the sounds your spinning out and wonder. Any comments are welcome...
o<|;0D Wèbber¬ |
| Brian K |
damn human nature wanting to classify things. what i usually go by is if it sounds good, crank it up and tweak those knobs harder =P
"As punishment for your desertion, it's company policy to give you the plague." |
| Love Monkey |
True. If it sounds good use it. If you think two tracks will go well together then do it and tape it. Then listen to it. This way you'll start to define a style of your own.
In the words of Ali G: "Give a man a compilation tape and he'll dance for a night. Teach a man to scratch, and he'll be dancing for generations!" |
| Webber |
Hmmn... Yes you are correct in the aspect that if two + two = good, go for it, but I suppose that, all on its own is a dj'n quality. Of course if you move a crowd you must be doing something right. However its still bothersome that so much can be fused into one, I dunno, maybe I'm just crazy or maybe I'm brilliant. Just a thought...
o<|;0D Wèbber¬ |
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